With her “incisive presence on the podium,” “emotive …without being in any sense showy” (Mark Morris, Edmonton Journal), Cuban-born conductor Cosette Justo Valdés has emerged as a rising star on the world concert stage. Beloved as a musician who wins the respect of her colleagues and the hearts of audiences, Ms. Valdés currently serves as the Resident Conductor of the Edmonton Symphony Orchestra (Alberta, Canada) and the Artistic Director of the Vancouver Island Symphony (British Columbia, Canada).
Her debut appearances this season with L’Orchestre Symphonique de Montréal, the Pacific Symphony Orchestra (Orange County, California), the Winterthur Symphony (Switzerland), the Utah Symphony, the Brevard Music Festival (North Carolina) and the Sacramento Philharmonic mark the tempo of a conducting career whose recent past highlights include a “mindblowing” (Ottawa Citizen) collaboration with Esperanza Spalding and the National Arts Centre Orchestra Ottawa, a celebrated production of Mozart’s “Così fan tutte” at the Edmonton Opera which she conducted from the harpsichord, two self-curated concert experiences merging the music of living composers with the words of living poets at the Edmonton Symphony Orchestra, the birth of a new opera by Ian Cusson “Indians on Vacation”, with a libretto by Royce Vavrek, and the world premiere performances of compositions written by Indigenous Canadian composers from all corners of Canada including cellist and Carnegie Hall artistic partner Cris Derksen and Jeremy Dutcher, as well as four uniquely staged and theatrical renderings of Handel’s Messiah with four different orchestras.
In the 2024-25 season, Maestra Valdés will lead concerts with the Minnesota Orchestra, the National Arts Centre Orchestra Ottawa, the Victoria Symphony of British Columbia, the Zagreb Philharmonic, and the Saskatoon Symphony alongside her continuing duties in Edmonton and Vancouver Island.
Her daring, innovative programming at the helm of the Vancouver Island Symphony has ignited new passion in her audiences, inspiring them to engage personally not only with living, contemporary music but also with rarely heard historical works. As an ongoing part of her artistic agenda in Vancouver Island, Ms. Valdés proudly continues to give a powerful voice to the works of women composers from the past and present.
Maestro Valdés has been invited to be a permanent cover conductor for the San Francisco Symphony (where she assisted Music Director Esa-Pekka Salonen for the 2023 California Festival Stravinsky Les Noces project) and a cover conductor for the New York Philharmonic, the Minnesota Orchestra, and the St. Louis Symphony among others.
She has guest conducted in Europe with the Stuttgart Philharmonic, the Orchestra of the Theater Heidelberg, the National Theater Mannheim and the Württemberg Chamber Orchestra in Germany as well as the Plovdiv Philharmonic of Bulgaria. In Canada, she has been a regular face with the National Arts Centre Orchestra Ottawa and has worked with the remarkable musicians of I Musici de Montréal, the Calgary Philharmonic Orchestra, and the Kamloops Symphony Orchestra in addition to her yearly appearances with the Thunder Bay Symphony Orchestra and the Saskatoon Symphony Orchestra.
Ms Valdés maintains strong ties to her native Cuba, where she is celebrated as the Honorary Director of the prestigious Orquesta Sinfónica de Oriente in Santiago, in Cuba’s musical heartland, an orchestra she led as Music Director for nine years early in her professional life. During that time, seconded by an administrator and a librarian, she single-handedly managed and directed the 80-musician ensemble, developing an extensive repertoire of classical and contemporary music, jazz and pop, while championing both new and traditional Cuban music.
As a frequent guest conductor of the Orquesta Nacional de Cuba in La Habana, she also premiered many works by Cuba’s musical luminaries including Leo Brouwer, Alfredo Diez Nieto, Roberto Valera, and many more.
Her position from 2019 as Assistant Conductor and since March 2022 as Resident Conductor of the Edmonton Symphony has been notably distinguished by her work as a tireless champion of music education for concert-goers of all ages and as an official ESO Community Ambassador, a role through which she has developed an exceptionally warm, rewarding, and highly visible relationship with orchestral patrons and with prominent members of the city’s vibrant arts community.
Maestra Valdés also serves as Artistic Director of the Youth Orchestra of Northern Alberta, Edmonton’s El Sistema-based Symphony-administered program which provides free music education to many hundreds of children from Edmonton’s priority neighborhoods and from its surrounding First Nations communities.
Ms Valdés’ special passion for connecting the jazz universe to the symphonic world has brought her together on the same stage with such extraordinary multidisciplinary artists as Esperanza Spalding, Terri Lyne Carrington, Kinan Azmeh, Harold López Nussa, Yaroldy Abreu Robles, Mayquel González, and the Mambo Kings of New York. Cosette Justo Valdés holds a bachelor’s degree in conducting, as a protégé of Professor Jorge López Marín, from the Instituto Superior de Arte (La Habana, Cuba) and a master’s degree in conducting as a prized student of the revered Professor Klaus Arp, from the Staatsliche Hochschule für Musik und Darstellende Kunst (Mannheim, Germany). In 2022 Ms Valdés was nominated for a Heinz Unger Award 2022 by the Ontario Arts Council of Canada.
REVIEWS
- “She has an incisive presence on the podium, emotive in her conducting without being in any sense showy, precise and clear in what she wants. I can well see her inspiring a whole new generation of budding young conductors in these concerts.” Edmonton Journal November 25, 2019 – Mark Morris (more…)
- ““Cosette Justo Valdés flew in to Edmonton on Tuesday to take up the full-time appointment, and here she was, a vivacious diminutive figure, conducting the final movement of Kabalevsky’s Violin Concerto with precision and fire.” Edmonton Journal January 20, 2019 – Mark Morris (more…)
- ““The highlights of the Festival Favourites concert were Vaughan Williams’ Fantasia on Greensleeves – a chance for a range of ESO players to have solos – and Justo Valdés’ first-ever conducting of Tchaikovsky’s 1812 Overture. The famous first movement of Beethoven’s Symphony No.5 showed her fiery side, with fast tempi and punchy dynamics.” Edmonton Journal September 1, 2021 – Mark Morris (more…)